The Flora print, orignally created by Vittorio Accornero in 1966, is reenvisioned through micro-painting, hand engraving, and stones. The white gold dial is intricately set with onyx and decorated with gemstones including pink opal, blood jasper, and mother-of-pearl. The case highlights miniature creatures crafted in white gold and finished with engraving and micro-painting. The case and tourbillon are both set in diamonds for a sparkling touch.

Inspired by an archival 1980s silk scarf, a crane design is brought to life with exquisite feather craftmanship by renowned feather artist Nelly Saunier. Each feather is individually chosen for its hue, texture and reflective quality. The composition is complete with diamonds, mother-of-pearl and individually engraved flowers. Also crafted from mother-of-pearl, each blossom is micro-painted by hand. A tourbillon powers the piece.

Drawing from a 1980s Gucci print, the tropical scene features a vibrant gradient of blue feathers and mother-of-pearl. The dial showcases a composition of feathers that have been individually selected and composed by Nelly Saunier. The toucans and foliage are crafted in mother-of-pearl, then hand-engraved and micro-painted. A tourbillon is housed within the white gold and diamond case.

One of the House's Animalia scarf prints from the late 1970s is the inspiration behind the hand-painted rose gold tiger depicted on the mother-of-pearl dial. Underneath, a micro-painted sun peeks through for dramatic contrast. The refined composition is offset with a hand-engraved rose gold bamboo accent, tourbillon, and diamonds‑set star decoration, all framed by the rose gold knurled bezel and case.

The 8.4mm-thin case houses rainbow-colored sapphires that are carefully chosen, hand-cut and set around the central open-work dial featuring a skeletonized tourbillon movement. Inspired by ancient amphitheaters, the gradient tones of the gemstones form an architectural frame which mirrors the complexity of the timepiece itself.